Motion starts
between frames.

An animation studio for ideas that need shape, timing and a little room to move.

Yellow ball resting toward the left of an ivory plinth on a green stage. — **Frame 01 / Contact**The ball rests at the left edge of the stage. A grounded starting pose makes the next change readable.

Yellow ball lifted above the left half of an ivory plinth on a green stage. — **Frame 02 / Lift**The ball moves up and right. The longer gap between positions implies a faster departure.

Yellow ball suspended above the right half of an ivory plinth on a green stage. — **Frame 03 / Hang**The ball stays high as it moves right. A shallow arc gives the eye time to follow the shape.

Yellow ball resting toward the right of an ivory plinth on a green stage. — **Frame 04 / Return**The ball comes down near the right edge. The final grounded pose closes this four-frame study.

Move through the four stills at your own pace. The optional outline marks the preceding frame’s ball position. There is no autoplay.

One shape.
Four decisions.

Original demonstration work / “A little lift”
Fictional study. No client commission is implied.

01 / ContactThe ball rests at the left edge of the stage. A grounded starting pose makes the next change readable.
02 / LiftThe ball moves up and right. The longer gap between positions implies a faster departure.
03 / HangThe ball stays high as it moves right. A shallow arc gives the eye time to follow the shape.
04 / ReturnThe ball comes down near the right edge. The final grounded pose closes this four-frame study.

Read the project notes

A pause has
a shape, too.

At the top of the arc, small changes matter. A still frame helps us ask whether the idea is legible before it asks us to move faster.

Illustrative 3D artwork created for this demo.

What a project needs.

A useful starting point: Your audience, message, intended channels, delivery date and available brand files.
A clear scope: We agree on duration, formats, review stages and deliverables before production begins.
One feedback route: A nominated contact gathers comments at each agreed review stage.

A good production note changes what happens next.

We use short written decisions alongside the frames: what the viewer should notice, what can be removed and what needs another pass. That gives every review a purpose.

Inside the notebook

Before we begin.

Can you work from an existing identity?

Yes. Share your brand guide, approved typefaces, logo files and any motion rules. The initial scope should identify anything that needs adapting.

What is included in delivery?

Only the items agreed in the proposal. List aspect ratios, durations, file formats, accessibility versions and source-file expectations before production.

Can you give an estimate from a short brief?

A short brief is a useful start. We may ask about the deadline, usage, sound and review requirements before preparing a scope.

What needs
to move?

Start with the idea, the audience and the date you have in mind.

Bring us a brief